Theater Kid Guide: Upcoming Shows in the PH Theater Scene
- By: Jane Andes
- April 14, 2026
From bold local adaptations to global musicals, here’s what’s lighting up Manila’s stages in the remaining months of 2026.
There’s something about Manila’s theater scene this year that feels louder, sharper, and more alive than usual. Maybe it’s the way local productions are leaning deeper into stories that hit close to home, or how international tours are arriving with just enough Filipino presence to make them feel ours. Either way, 2026 isn’t playing it safe.

Stages across the metro are packed with works that confront labor issues, unpack power and politics, revisit literary classics, and deliver full-on spectacle when needed. It’s the kind of lineup that doesn’t just ask you to watch, it dares you to engage, react, and sit with what you’ve seen long after the lights come up.
If you’ve been waiting for the right moment to get back into theater or finally see what Manila’s stages have been cooking, consider this your sign. Here’s what’s currently running and what’s still coming up.
ENDO (The Stage Adaptation)
Running April 10 to May 10 at PETA Theater Center, this adaptation of the 2007 Cinemalaya film hits hard where it hurts. Starring Jasmine Curtis-Smith and Royce Cabrera, the production dives into labor precarity and survival with urgency that feels all too current. It’s intimate, political, and not exactly an easy watch—but that’s the point.
Miranda & Yolanda
Staged at the Power Mac Center Spotlight Blackbox Theater from April 11 to May 3, this twin bill of works by Floy Quintos brings together “Evening at the Opera” and “Ang Kalungkutan ng mga Reyna.” With powerhouse performances from Shamaine Centenera-Buencamino, Ana Abad Santos, and Frances Makil-Ignacio, it’s a sharp, layered look at power, grief, and politics that lingers long after curtain call.
Jesus Christ Superstar
Opening May 2 at The Theatre at Solaire, this international touring production brings a more immersive, concert-style take on the iconic rock opera. The real draw for local audiences is Gab Pangilinan stepping into the role of Mary Magdalene, adding a familiar voice to a globally recognized stage.
Master Class
From May 15 to 30 at Carlos P. Romulo Auditorium, the Philippine Opera Company marks its 25th anniversary with this staging led by Menchu Lauchengco-Yulo. Taking on the role of Maria Callas, she anchors a production that leans into discipline, artistry, and the cost of greatness.
Man of La Mancha
Running June 5 to 28 at REP Eastwood Theater, this staging by Repertory Philippines teams up with the Manila Symphony Orchestra. Expect a more expansive, music-forward take on the classic tale of Don Quixote, with direction by Nelsito Gomez.
Ang Babae sa Septic Tank 4: Oh Sh*t! It’s Live sa Cheter!
Opening June 19 at PETA Theater Center and running until August 16, this chaotic, self-aware satire brings the cult film franchise to the stage. With Eugene Domingo reprising her role, expect meta humor, industry jabs, and a whole lot of camp under the direction of Maribel Legarda.
Charlie and the Chocolate Factory Musical
Set for July 8 to 26 at The Theatre at Solaire, the Broadway musical makes its Manila debut with Karylle as Mrs. Bucket. It’s a spectacle-heavy production that blends nostalgia with new musical numbers, making it one of the more family-friendly entries this season.
Cinderella: A Tale of Glass Slippers
Slated for August at REP Eastwood Theater, this retelling from Repertory Philippines is designed for younger audiences but still carries the company’s signature polish. Directed by Joy Virata and Cara Barredo, it leans into whimsy without losing emotional weight.
A Midsummer Night’s Dream
Closing out the list is this Shakespearean classic, running September to October at Saint Cecilia’s Hall. Directed by Jeremy Domingo, the production brings the Bard back into a more traditional academic setting, promising a balance of romance, mischief, and theatrical magic.
From socially charged narratives to big-stage musicals, Manila’s 2026 theater calendar feels both grounded and expansive. Whether you’re chasing something thought-provoking or just want a night of spectacle, the city’s stages are giving you options—and then some.





